Rumblings of the Earth (Rumor de la Tierra) by Wifredo Lam (Interpretation and Analysis)
Rumor de la Tierra Source: Guggenheim Museum |
I thought that this was a very salient point. I’ve written before about how art can be used to reclaim Caribbean heritage and challenge the colonial paradigm. Rumblings of the Earth does this by borrowing the visual language of pre-Columbian art and Caribbean culture. The jagged shapes that dot the painting echo the shapes of pre-Columbian pendants and amulets as well as referencing aspects of Afro-Caribbean culture such as Santeria.
Eagle Pendant (from the Arte del Mar Exhibition) Source: MET Museum |
From a stylistic perspective, Lam’s piece is very modern. Lam studied in Europe, and his work shows the influence of the Cubist and Surrealist movements. His stylistic approach allows Lam to transcend narrative aspects of painting and focus on the spiritual and psychological landscape.
The MET also notes that Lam drew inspiration for Rumblings of the Earth from Pablo Picsso’s masterpiece Guernica. Guernica depicts the bombing of a Spanish town; it was created to highlight the suffering of the Spanish people during the Spanish civil war. Rumblings of the Earth, on the other hand, touches on the suffering engendered by Spanish colonialism in the Caribbean. As the MET explains, “Lam turned the story into a Caribbean one told through a lens of colonial violence, however, by transforming Picasso’s central victim into the attacker.”
Guernica Source: Museo Nacional Centro de Arte Reina Sofía |
Disclaimer: I’m not an art historian or an expert on this topic. The above is my opinion, based on my interpretation of my foreknowledge of art and history. If I’ve done any additional research, I’ll note it above.
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