Dejanira (Autumn) by Gustave Moreau (Interpretation and Analysis)
Dejanira (Autumn) Source: J. Paul Getty Museum |
Dejanira (Autumn) depicts a story from Greek mythology. According to legend, Dejanira was the wife of the great hero Hercules. One day, while attempting to cross a river, Dejanira was abducted by a wild centaur named Nessus. However, Hercules was able to rescue his wife by hiding among the rocks on the other side of the river and successfully ambushing and killing Nessus. This incident indirectly led to Hercules’ death. Moreau’s painting captures Nessus carrying Dejanira across the stream, the moment before the pivotal battle between the centaur and the hero. It can be seen as the calm before the storm, a liminal space on the edge of death and destruction.
Moreau was one of the primary leaders of the Symbolist movement, which reacted against the increasing industrialization and standardization of the modern world. Rather, Symbolists used their own powers of imagination, dreams, and visions to explore the artist’s personal experience of reality. For Moreau, the story of Hercules was one way to explore this higher truth, and he returned to it many times throughout his career. In Dejanira (Autumn) Moreau expresses his thoughts and ideas through color, shape, and composition.
At first glance, the story of Dejanira and Hercules doesn’t have much to do with the season of autumn. However, in a description of the piece, Moreau explained that he understood the piece to express the balance of nature and the seasons, which is expressed through the contrast between Dejanira and the centaur. As Moreau writes:
I have tried to render the harmony that may exist between the world of nature at a certain time of year and certain phases of human life. The centaur seeks to embrace this white and graceful form, which is about to escape him. It is a last gleam, a last smile of nature and life. Winter threatens. Night is coming on. It is autumn.In this conception of the piece, petite and delicate Dejanira represents the fading summer while the strong and strident centaur is the new season, gracefully overtaking the old. The brown and red landscape and jagged mountains further suggest the harsher, colder weather and fading vegetation of fall and winter. However, it is Moreau’s fantastical and utterly unique style that brings the piece together. The careful and studied precision used to portray Dejanira and the centaur contrasts with the looser, painterly brushstrokes used for the background. This contrast provides both energy and atmosphere, truly setting the tone of the piece.
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