The Nativity by Edward Burne-Jones (Interpretation and Analysis)

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The Nativity
Source: Wikimedia Commons

Among the painters of the Pre-Raphaelite movement, Edward Burne-Jones stands out as one of the most productive and talented artists of his age. Burne-Jones—like many Pre-Raphaelites— was inspired by the legends and myths of older cultures; however, he also created many pieces of religious artwork.

As Christmas approaches, I’d like to share an example of this art. Burne-Jones’ Nativity depicts the birth of Christ, a traditional and well-worn motif in Christian art. Though virtually every major Western artist has painted the Nativity scene at some point or another, each painter has a unique interpretation, and Burne-Jones’ Nativity is particularly beautiful.

It portrays the Virgin Mary resting with the newborn Christ Child while Joseph kneels by her bedside. Three angels stand to the left, looking on.

The style and composition of the piece borrows heavily from Medieval art. While the scene is not dynamic, and, in fact, is rather stiff, the figures are tall and statuesque with a particular type of inflexible grace. Each one is bathed in a subtle glow that seems to emanate from the figure themselves. Mary and the angels are executed in bright, luminous tones, a subtle reference to their divinity.

It is beautifully painted: rich in color, smooth, and glossy. The gold in the background adds an extra degree of luxury. Simply put, it is a magnificent artistic achievement, and the perfect painting to celebrate the Christmas season.

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